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I dont know if this was the case during the original release, but seeing that sometimes it was intentionally done to get a different result it brings in to question the validity of the subsequent remasters. I love the latest MFSL 2LP 45rpm, rapidly became my go to copy. Since neither mono tape surfaced it must be assumed they were repurposed or stolen. All KoB promos are pre 11/59 (have Side 2 track-list error) with matrix code letter 1D or higher. Some EQ was used as was a bit of limiting. It's my understanding that the Columbia curve was only used until 1955 or there about. I own this one along with the 1997 re-issue and a 35DP-62 Japan for US. I bought all the MOFI releases and Love them, the Analogue productionsMiles davis Mono releases and Now I need a good KOB copy. That, and . The dates these came into operation were as follows: When KoB was first released in 1959, Columbia had three pressing plants, only it was a different itinerary from after 1963: Bridgeport, CT; Terre Haute, IN; and Hollywood, CA. Canadian pressings, from 1954 through 1971, were pressed by Quality Records Ltd. for Columbia Records Of Canada Ltd. The earliestpressing of stereo six eyeis I believe stereo promos (E, K, AC, and AE),some other rare single alpha (1E and 1H) andsome 1AA and 1AC which also have the Side 2 track-listing error most of them do not. Close micd saxophones often reveal the sound of the reed vibrating or "buzzing" especially when the sax is played somewhat softly as it is during the heads of So What. The mono tapes have gone missing. The Sony reissues are louder than their MoFi counterparts. I've inherited more than a few LPs that are "reprocessed stereo" or "electronically enhanced for stereo effect" and other words to that effect. I caughtone seller claiming he had a 1A/1A in the auction headline which later in the description expanded to 1AC/1AE. Unanswered Question Conventional Wisdom does not explaintheasymmetrical pairing is Side 1 and Side2 lacquers. Personnel: Miles Davis - trumpet, band leader. Stereo promos, like mono,dont follow any -1A -1B -1C patterneither; they are E, K, AC and AE. 001527. The very few commercial mono copies were found with matrix codes in the range 1A to 1C on both sides (five records only in the sample, they are very rare), all had the Side 2 track-list error. The prime stereo tape recorder had been running just over one percent slow, so on playback and during the mastering of albums it ran a little fast. A further five lacquers account for the next quarter of all mono copies: A, B, AC, AD, and AJ. Seems a reasonable definition. Mono vs. Did the 2022 Revolver mono vinyl LP from the box set come in a stereo jacket? Hence the stereo (but not the mono) releases of Kind of Blue and virtually all the releases were stereo had always had those three tracks playing at slightly the wrong pitch. Taking anything anyone sayson the Internet or otherwise, but especially on the Internetwith a grain of salt when it comes to sound is more than a healthy approach and ultimately the one you can trust the most (hopefully) is you yourself and your own ears. The above example on loan from a friend has 1D/ 1G stamper matrices, the Side 2 label track sequence error, but more interesting are the T/ TA stamps on the opposite side of the deadwax. It may not display this or other websites correctly. It is a twice a year event. A Love SupremeMono or Stereo?? - Audiokarma Home Audio Stereo One of the few samples found where the matrix codes Side 1 and Side 2 are taken the same lacquer. So when I read imbeciles claiming Columbia used it into the 1980s because some records sound "better" with it, I get a bit crazy (er). Looking forward to this reissue, like all of Miles' albums I have both Mono and Stereo originals (1C Mono KOB). :-). Metal from 1A and 1B lacquers was still being used some years later, mix and match. Did Teo ever say why he hated the Sony releases? CK 43rd; CL 44th; DA 45th; DB 46th; DC 47th; DD 48th; If I can have a choice between Stereo & mono I always take the mono-album. LP REVIEW: Miles Davis - Kind of Blue (Deluxe) - London Jazz News To compare with MOV versions (which are stereo) you should probably compare the Mobile Fidelity versions, which are also stereo. Or the mono tapes went missing. This site uses cookies to help personalise content, tailor your experience and to keep you logged in if you register. 5 Modern Album of Terre Haute, IN Price: US $9.99. Kind of Blue Mono & Stereo Collector's Edition 2LP Set 180 gram, 33 rpm, Collector's Edition, Gatefold, Mono. (After completing the second take, which is the one used on the album, Miles Davis reportedly turned to the producer Irving Townsend and said, That was terrible, Irving.). Its a double album, with the first LP offering the record in its original stereo form (speed corrected, of course) and a second disc featuring the first take of Flamenco Sketches on one side and a version of Green Dolphin Street on the other. When you click on links to various merchants on this site and make a purchase, It is not known how many labels with the side 2 error were printed, but the presence of the Side 2 error is proof of earlypressing status 8/59 to 11/59. Desktop 2.1 speakerrig: Lenovo IdeaCentre A730 Windows 8.1 PCFoobar 2000 /Spotify PremiumFiiO E17 DACFiiO E09K headphone ampLepai LP-2020A+ amplifierPolk Audio PSW10 subwooferDayton Audio B652 bookshelf speakers. Early, late, etc? The three-track recording produced three distinct channels and nothing you could legitimately call "stereo". this can result in this site earning a commission. With 1D (different printer and pressing location?) Simon & Garfunkel Mono Vs Stereo Discussion : r/vinyl - Reddit It's present in all formats. Well.the mono has been the rarest version of Kind of Blue. In line with Conventional Wisdom, first pressing on mono starts A, B, C, and (some) D, after which it is a veritable free for all, mix and not match. Yes, hearing "stereo" was exciting for me too, but over time I've come to realize that much of what was called "stereo" was just mono channels divided between the channels. Only one -1A/ -1B/ or -1Cstereo six-eye was found, claimed as mythical 1B/1B of which I am highly sceptical. Bonus enjoyment if you have a 5.1 setup. These are the fabricator codes used by the main cover suppliers to majors, including Capitol and Columbia (information gleaned by Beatles researchers): 2 Imperial Paper Box Corp., Inc. of Brooklyn, NY There are clusters around certain letters, for example 1AJ on Side 1 is found with Side 2 as 1AD, 1AE,1AF and 1AG. 2020 Japanese reissue. What is the slight distortion that is present in every copy of KOB I've ever heard? How far is the Kind of Blue manufacturing system representative of that of other Columbia titles? Happy holidays to all. Mono and stereo promos were pressed in Bridgeport, and the label fonts were the exact same as would later be used by Pitman. 2011 Vinyl LP Not Now / NOT2LP145 Kind of . The stereo releases from 1959 to 1992 had the songs on side-A slightly sharp in pitch. Unless you can come up with one of those original LPs, this is as good a sounding Kind of Blue as you will find. There may have been 27 lacquers cut but many letters never appear, and only a limited number of lacquers appear to have been actually used for pressing. Kind of Blue Wikipdia Another, more welcome, discovery on inspecting the master tapes was that a complete alternate take of one tune still existed. First, a recap of conventional wisdom information gathered in good faith from partial experience, true of some circumstances, but not necessarily applicable to all. If the covers were merely manufactured centrally at Indianapolis and supplied to Bridgeport for the promo pressing, why is there both 4 and 2, AND 6. you'Ll find love for music, intimate relations, well made drinks, and the likes. Flamenco Sketches was wrongly listed as the first track, and All Blues as the second. Columbia/Sony Legacy CL-1355 (88883761031) 180g mono LP, Mixed by: Mark Wilder/Steve Berkowitz (this reissue), Mastered by: Ryan K. Smith at Sterling Sound, Over the past few Record Store Days Sony/Legacy has slowly been rolling out on 180g vinyl much of the Miles Davis catalog, mastered from original analog tapes. the site simply writes whatever their advertisers tells them to, so just follow the recommendations given by your fellow forum members. One of the interesting discoveries made in 1992 when the tapes were first exhumed, was that Side 1 of the stereo issue, consisting of the tracks recorded at the first session, So What, Freddie Freeloader and Blue in Green, had been playing at the wrong speed since 1959. They're very impressive for mono recordings. At one point, in theearlymid60s, five plantswere in simultaneous operation, which helpsexplain whymultiple laquers were being cut to supportpressing of consistent quality at many different locations. The Mono Box from 2009 was not cut from pristine LP masters. One was selling in the marketplace but asking a question about something for sale is apparently a 'conversation.'. Released 17 August 1959 on Columbia (catalog no. never bought the 200G version by classic records because I understood that the QC on this pressing is bad and that the pressing is really noisy. 2 sense. cwitt1980, 2 minutes ago. 8 Decca? Record comes packaged separate from the jacket, in a plain white cardboard sleeve and a Nagaoka-style clear half-moon inner sleeve. Beyond that, you end up with any six-eyepressed between 1959 and 1963. John Marks' account of hearing the three-track master tape at Sony Studios, I don't know a lot about record store day. Other fonts were used by printers for other plant locations. c. 1966 Do you expect much improvement over the Classic Records stereo 45 release from the 90s? Evidenced by the Side 2 track-listing error, mono lacquers A, B, C and D (any onboth sides)were used in the first pressingrun, together with a small number of others: a minorityof D1/D1 copies had the track list error, and one 1H/1D (1H lacquer used also for promo) was found with the erroneous label, though there may be others. Every tape machine in a proper recording studio is calibrated directly before the recording session to make sure it is performing to spec using alignment tapes and an oscilliscope. Then they would start again, fill four tracks and mix those down to one track. Ebay auctions of Kind of Blue on six-eye label over last three years where, seller identified matrix on both sides (198 commercial releases, 218 in total including twenty promos). If I'm reading this correctly, this mono vinyl reissue is an all analogue cut? It is very dynamic and seems a bit goosed on the high end. Enter a Crossword Clue. Audiogon Discussion Forum One even declared it was the first pressing because the matrix suffix started with a 1 (simply original tape mix, like all). Kind of Blue was recorded in both mono and three track stereo at Columbia's 30th St Studios. For years, I used to think it was a bad left channel speaker in my system. Before the sacred tapes were returned the vaults, a copy of the 50th anniversary remastering was transferred to a high resolution digital file. affiliations include, but are not limited to, the eBay Partner Network, and Mono tracks send only one channel for all speakers. OP, I can try to explain it but it's only after people listen to it that they get it. I just finished comparing the HD tracks 24/192 wave files with theJapanese SACD and the Legacy vinyl (not the poorly pressed blue vinyl). The stereo versions are mixed in a similar fashion with center mixed into both left and right channels. the Amazon Associates Program via amazon.com. In the early days of "stereo" the mono mix especially of popular and rock music) was the one that got the most attention. Click here if you want this pressing without paying 4-20x retail (Come on now, you really should be ashamed of yourselves). Sony Legacy were mono, see Michael Framer's review in Analogplanet.com. BJ 31st; BK 32nd; BL 33rd; CA 34th; CB 35th; CC 36th; KIND OF BLUE. After hearing a lot of different versions of KOB I believe it's just the sound of the mute which is raw and gritty. 1A/1D. My dad put aside a copy of the Kind of Blue 50th anniversary box set for me recently. Sometimes that works okay but other times not. [TR24] [OF] Miles Davis - Kind of Blue (Mono) - 1959/2013 (Jazz) Once I got past the noise in the outer grooves (I cleaned it again) I found myself going back to the first time I heard it. Yes, its not as ethereally spacious, but it better layers and balances the instruments in my opinion and if you remain unconvinced that mono can produce three-dimensionality, this record will convince you. Mono or Stereo - is it really just a matter of preference? The Music On Vinyl label turns out beautifully packaged LP reissues on high quality vinyl. The stereo playback from the original masters was eerie. Quite a lot, as it happens. P.S. The prime stereo tape recorder had been running just over one percent slow, so on playback and during the mastering of albums it ran a little fast. A stereo record contains separate left and right channel information on each groove-wall at a 45-degree angle from each other.The groove is a more complicated shape with both lateral and vertical information. Others' opinions can be useful as reference points but no one should ever take someone else's opinion and blindly make it their own. Around a quarter were code 2 (Brooklyn) , three quarters are code 4 (Indianapolis) and just one 6, (also Indianapolis when supplying jackets to West Coast pressing plants). Not just the LPs, but the CDs, cassettes, reel to reel tapes and MiniDiscs, Sound engineer Mark Wilder, who made this discovery in 1992, then corrected it using the backup three-track stereo tape for the subsequent remastered reissues. Now I'm bummed. Similar pattern of asymmetrical lacquer pairings e.g these found . Once it's released, you can't go back (I am talking to you George Lucas). The mono tapes have gone missing. Previously overlooked, there is some evidence that the distribution of promos and possibly manufacture may have been the work of more than one plant, possibly three. My initial thought in reply to my questioner was the lazy answer, " it depends which you prefer" . Ended: Apr 29, 2023 , 5:16PM. I suspect the mono masters were damaged or very worn, and didn't meet technical standards. Barcode and Other Identifiers Barcode: 4 547366 450958 Other Versions (5 of 502) View All Recommendations Kind Of Blue Miles Davis When used as one center channel in an old school mono configuration, the sound stage/window can be rather small and wimpy, unlike live performers spread out over a real stage. It was my understanding that the 2x45rpm MoFi reissue we've been waiting two years for was going to be mono as well? I have an original copy of "Round Midnight" that I bought in Santa Monice back in the 70's. Over the years, further cuttings from the original mastering were brought into service. Do you guys really think that Tao and Miles OR THE RECORDING AND MASTERING ENGINEERS wouldn't notice the speed was off? However, stereo tracks send two different channels, one for each speaker. In afurther variation the word UNBREAKABLE under the catalogue number disappears. Columbia CL 1193 Milestones Miles Davis, Recorded February March 1958. Epais comme un vinyl de pressage us. can lpc diagnose in missouri My account. All Blues)and the track-list corrected, right(1. This is the first take of Flamenco Sketches. Steve Hoffman Your host Your Host Location: Los Angeles CA, USA Adagio said: The suffix -1B is visible on mono Side 1 and seller described both sides 1B/1B. Seems a bit confusing with all these different pressings. If you are familiar with any DCC audiophile releases, then you already know Steve. I'd like to thank you for all the valuable advice that I've been able to glean from your Stereophile column over the years. kind of blue mono or stereo hoffman November 29th is mentioned here. For a start there is the matter of the master tapes. The stereo presentation revealed more air, more detail and more sheer life than the mono. In another development, stereo copies with 1AG and 1AH and mono copies with 1AF and 1AJ have been turning up with aletter T and alpha suffix T,TA, TB and TC found stamped mechanically like the matrix stamp. CBS overprint non-DG illustrated below (1962/3). Nothing is sold at gun point. When Sony announced the RSD release I assumed it would be similar to how they rolled out Milestones and Round About Midnight (a few months after)? Click the answer to find similar crossword clues . Have a look. His work can be heard on albums like The Eagle's Hotel California, Bob Dylan's Highway 61 Revisited, and Joni Mitchell . A major project took place in 2009 to celebrate the 50th anniversary of the albums release, and attempts at an ultimate version were made then. I grew up in the mono era. Though T has been suggested as referring to Terre Haute, it remains likely a Bridgeport pressing suggested by the label fonts. You can 'see' further into the mix and hear a clear delineation of direct and echo chamber sound as well as what sounds like 30th street studio room sound. Cookie Notice I agree Crosley is the devil. LP review by Andrew Cartmel). Columbia Matrix Codes - case study: "Kind of Blue" How is this done? the holy grail 1A/1A. To be fair, some are done better than others (I say this only having listened through speakers - I don't want to think about what the . A 1st cutting; B 2nd; C 3rd; D 4th;E 5th; F 6th; Maybe theyre in your garden shed. This is true EVEN IF the original artist/people are involved in the later versions. this can result in this site earning a commission. The credit on this story should be updated to correct that. Has anyone compared the Sony's Miles reissues to MoFi's? Both the mono and the stereo originals display the same pitch problem, that went un-corrected for decades. Not just the . and E and F for Pitman N.J. Six (or more) sets of lacquers were usually cut for any big-name artist, so the very first mastering would be 1A,1B,1C,1D,1E,and1F. Besides, I said nothing about paying attention to what they said about the vinyl under review; my intention was for people to read what was said about the state of the master tapes, how the most recent mono and stereo mixes were made, etc. You might find this review informative: Now not quite so "new" to Head-Fi but not new to headphones, audio, music and especially jazz. 2: Spirit "Spirit" is a cartridge of the central existence by the development of the vertical axis concentration method. This is relevant to this thread because I'd like to pick up the Sony release of KOB. Columbia US labels | LondonJazzCollector A lacquer pair includes Side 1 and Side 2 of the record. (LJC: so 1G and 1H would be the 2ndcutfrom Santa Maria)That way they could easily keep track of how many replacements were needed for each plant. Two hundred fifty auction copies with good stamper information and photos of both labels were found: 200 mono and 50 stereo, reflecting the slow early uptake of new stereo phonograms in the late 1950s and early 1960s, The reason why Columbia cut so many lacquers used to puzzle me, but I see it now as a very smart system of distribution and quality control, with inexpensive redundancy built in. According to Steve Berkowitz, who, with engineer Mark Wilder, has overseen all of the Miles Davis reissues going back many years, both of the original 3-track tapes used in recent years to produce the SACDs as well as 2008's blue 180g vinyl 50th Anniversary Collection box set (which was poorly pressed on 180g with a lot of noisy non-fill, gee I wonder who pressed it? If people didn't buy their products, then they wouldn't make them. Over the fouryears of the six-eye label, fresh pressing runs would draw on the stock of lacquers, a general chronological drift, but many mismatched stamper combinations. Mostauction copieshave the corrected Side 2 label, but some sellers claim theirs isan original first pressing, simply because it is a Six-Eye label. Is there some mixing advantage of putting the 3 tracks into one channel instead of two ? Milestone and Round About Midnight were mono-only titles. Miles Daviss spiralling, restless trumpet on Freddie Freeloader and its seesaw insinuation on All Blues, Bill Evanss delicate, meditative haiku of a piano in Flamenco Sketches, Coltranes silken, slithering tenor lament on Blue in Green, Paul Chambers low, slow heartbeat of a bass, the soft, considered percussion of Jimmy Cobbs drums and the pulsing tick of his cymbals are all immaculately rendered. Press operators at this time have stressed that their two priorities were to ensure Side 1 and 2 were correctly matched, and that the labels were completely dry. . Most Columbia pressings have asymmetrical non-sequential pairings, such as 1D/1AC. Pour a glass or cup of your preference and press play. The greatest issue of this album on vinyl. Matrix codes found on mono promos, produced from FOUR lacquers: A G, D and H (UPDATE 30/5/21: one promo with 1A has just come to light, with track sequence error, courtesy of a reader. Just received my copy by mail, i haven't ear it yet, but something is strange to me. AB 13th; AC 14th; AD 15th; AE 16th; AF 17th; AG 18th; Perhaps that is one reason why so many were cut: quality control in distributed pressing through inexpensive redundancy. The number of channels used while recording and listening to audio is the primary distinction between Mono and Stereo sound. For some records, possibly. I'll be grabbing this mono version! Luckily for vinyl fans, the story doesnt end there. How many times have I seen one of the most mediocre albums I've heard in my life be named the album of the year? Why didn't they use the orginal mono tapes? Instead of three lacquers, over thirtywere in use, out by a factor of ten. In the case of KOB, you would need to at least hear the mono before rendering a judgement as to which you preferred! I have three different versions. Worse: later, rare combinations such as 1AC/1AA are found with and without the Side 2 error. At the beginning or throughout the record. Those who have recognized it have shared many wild theories. The basic difference with the stereo masters was that after the same type of process, the stereo masters were pumped up a few DB across the board with Volume Compression. For this reason, it doesnt really matter whether your copy is a Bridgeport, Pitman, Terre Haute or Hollywood. The Holy Grail, Kind of Blue, six eye stereo KoB 3. UPDATE 12/08/19: a copy with 1F has been found, with track listing error Side 2 1D/1F with TA etching (Conn. plant). Was looking at the RSD mono re-issue of KOB but just learned that it didn't come from the original mono masters. I actually worked with Kind of Blue producer Teo Macero back in 2000, shortly before his death. AH 19th; AJ 20th; AK 21st; AL 22nd; BA 23rd; BB 24th; They were only on CD or SACD at that point since vinyl was done by Classic. In no special order, a handful of lacquers were selected to press white label promotional copies for distribution to reviewers and disk jockeys mono (red text label) and stereo (black text label), with the text DEMONSTRATION, and NOT FOR SALE on the label. Crosley tables do chew grooves, but the company doesn't forcibly place their products into anyone's hands. He is loved and well know by audiophiles and musicians all over the world. It is a blue coloured record. So how does the mono compare to the stereo and how does this mono compare to the original? Or are they some digital combinaison? Those lacquers existed, and were put into service from 1963 onwards until the early. Which Kind of Blue Pressing? (mono) | Vinyl and Turntables As Marks reports, only the center channel microphones used by Davis and bassist Paul Chambers had "send and return" lines to and from the 30th street studios concrete echo chamber but leakage from the other instruments into their microphones, (plus the converted church's natural reverb), probably accounts for the recording's spacious ambience and its overall coherent reverberant field. This was effectively the first identifiable pressing,running up to the August 1959 launchand during thefirst three months of sales. I have several stereo copies of this record, my preference is the Classic Records1995 issue. Last Updated: May 30, 2021 (1A/1D promo found). To speculate that Teo/Miles/the band "never bothered to listen or simply didn't notice" is just plain insulting to those involved. and we'd love to turn you on. Good luck, L edition numrot de 2015 Dans un emballage carton bleu. I just received my RSD numbered copy today and it has the same feel as my original pressing. So can anyone recommend me which versions should I own ? Band 1. The two channel mix down will most likely be the source of a Mobile Fidelity stereo reissue coming later in the year as part of that label's Miles Davis stereo vinyl reissue project. Lacquers used to press Kind of Bluestereo promos continued in use, except E, which joined the list of lacquers which were never used. For a better experience, please enable JavaScript in your browser before proceeding. 3D-imaging and the wide, deep soundstage are eyebrow-raising; these Davis mono remaster titles sold me on other mono remasters, and rival (IMHO, to my ears) the Columbia/Legacy 180g six-eye stereo remaster I bought last year.